Art as anchor
Every project begins with a single piece — a painting, a textile, a chair — and we design outward from it. The art gives the room its gravity; the room is built to hold it properly.
Interior Gallery is a small atelier of designers, makers, and curators shaping warm, artful homes for clients who believe a room should hold a story.
"I never wanted a studio that imposed a look. I wanted one that listened — to a home, to a memory, to the way light falls at four in the afternoon."
Interior Gallery began in 2009 in a converted print shop on a quiet side street, the way most honest things begin — quietly, and with a single piece of furniture that needed somewhere to belong. Anouk Versteeg, then a junior set designer for film, restored an oak refectory table for a friend, then a sideboard for another, and before long the friends-of-friends became clients, and the clients became collaborators.
Fifteen years on, the atelier has grown to a team of nine — interior designers, textile artists, a lighting consultant, and a furniture maker who keeps the studio's small workshop running in the back. We remain intentionally small, taking on no more than fourteen projects a year. That choice is the point: it is how we are able to design at the pace of attention.
A home is the longest, quietest piece of art most of us will ever live inside. We design with that responsibility — neither chasing trends nor recreating periods, but shaping rooms that age beautifully and feel unmistakably yours.
Every project begins with a single piece — a painting, a textile, a chair — and we design outward from it. The art gives the room its gravity; the room is built to hold it properly.
A beautiful room that no one wants to sit in is a missed room. We obsess over the angle of a backrest, the height of a reading lamp, the weight of a linen — beauty earned through how a space is used.
Hand-finished joinery, naturally dyed textiles, lighting we specify down to the kelvin. We work with a small circle of European makers because the difference is felt, even when it is not seen.
A small, permanent team. We do not freelance our way through projects; the people you meet in our first meeting are the people who will draw, build, and finish your home.
Trained in set design at the Rietveld Academie. Leads every first conversation and oversees the studio's creative direction.
Former cabinetmaker whose joinery underpins many of the studio's bespoke pieces. Heads our workshop and material library.
Develops our bespoke textile programs with mills in Belgium and northern Italy. A painter whose eye guides every palette we propose.
Trained in architectural lighting at TU Delft. Specifies everything from ambient layers to single picture lights, down to the kelvin.
We move slowly, and we expect our clients to want to. Each stage is its own conversation — never rushed, never skipped.
We meet in your home, walk the rooms at different times of day, and talk about what you have loved and outgrown. No sketches yet.
Plans, palettes, and a small set of bespoke pieces, presented together. We revise twice, then commit. The material library lives in our workshop.
Our joiner and textile team fabricate; trusted makers deliver furniture and lighting. We manage the site, and you receive a single weekly note.
A soft opening, flowers in the entry, candles in the bedroom. We return at three months and at one year — the room tells us how it has settled.
If our approach resonates with the home you are imagining, we would be glad to hear from you. Initial conversations are unhurried and without obligation.